Swan Song
Presented by Zealots and Mystics
Written by Anton Chekhov
Directed by David Lind
Swan Song was Chekhov's first vaudeville sketch and a wonderful example of his "tragicomic" writings. An aging actor, having fallen asleep after a performance, questions his talent and the choices he made in his life.
"In bygone days, when an aura of romance still pervaded our profession, actors frequently spent enchanted nights in their empty dressing rooms, or among pieces of scenery, or wandering on the half-lit stage like the old tragedian in Anton Chekhovs' Swan Song. Their experiences of many years welded them to this stage filled with a magic spell. They needed this atmosphere. It gave them inspiration and power for their future performances."
- Michael Chekhov (nephew to Anton and Stanislavski’s “most brilliant pupil.”)
David Lind is a local actor, director and playwright. Locally, he has worked with Mixed Blood Theater, Teatro del Pueblo, nimbus theatre, Theatre Unbound, Startinggate Productions, Theatre in the Round Players, Theatre Limina, Commedia Beauregard, and the Phipps Center for the Arts. David trained at Rutgers University and the Michael Chekhov Acting Studio in New York City. He is also the owner of TC Theatre and Film, one of the leading theatre industry websites in the Twin Cities. David is the Artistic Director of Zealots & Mystics.
Rick Fields is a local actor and director. He has worked in a variety of theatres in town over the years, most recently with the Phipps Center for the Arts where he appeared as George in Of Mice and Men and directed several of the Children’s Theatre Council productions. He is a Zealots & Mystics company member.
Eric Wood is a local actor. He has worked with The Phipps Center for the Arts, Startinggate Productions, the Jon Hassler Theater and The Y Show. He is a Zealots & Mystics company member.
Uncle Sergei
Presented by TigerLion Works
Written by Charles Lupia
Directed by Markell Kiefer
TigerLion Works presents Uncle Sergei, a spoof of the great Chekhov, written by Charles Lupia. Director Markell Kiefer clowns around this little piece with fellow red nose artists Shannon Forney, Laura Purcell Gates, and Christopher Lutter-Gardella. TigerLion aims “to awaken and celebrate humanity’s fundamental goodness through theatre and film”. Indeed, the clown, along with Chekhov, are comic forms that draw attention to the qualities of being human – which are all, no matter how bad, fundamentally good.
Uncle Sergei follows the reveries of a former government official named Uncle Sergei. Retired to his country estate, Sergei longs for his former life in Moscow. He is repeatedly interrupted by Ivan Ivanovich, a ruined landowner, who is trying to borrow money, as well as the house servant, Dunyasha, who worries about the broken heart of Sergei's niece Masha.
Markell Kiefer (Director)
is a writer, director, performer and producer. She has a MFA in Lecoq-based
physical theatre from Naropa University, trained for
two years at Circle in the Square Theatre School, and has been a student of
European Clown master Giovanni Fusetti since 2003. Markell has toured,
performed and directed nationally. She created The
Buddha Prince, a
play celebrating the life of the 14th Dalai Lama, which has been
produced in Minneapolis, Los Angeles and in New York City’s Central Park. Other
directorial work includes: KIPO!, The Giving
Tree, The Proposal, Fully Committed, Common Ground, Umba Umbra, The Brush Master, Thunderstorm, The Rabbit in the Moon, and The Life of Milarepa.
Shannon Forney (Ivan Ivanovich) is a puppeteer/ performer/ director who
hankers for collaboration and live instrumentation. After admiring fellow
physical theater actors for years, she took a much anticipated 3 week intensive
workshop with Red Nose Maestro, Giovanni Fusetti at Bedlam Theater (May 07).
She is proud of her recent (Nov. 07) Twin Cities puppet debut Instruments of Tortuga, an original
shadow show at Heart of the Beast Theater. She hopes to show more puppet work
and premiere a toy theater which her partner has loving assembled (including
footlights!). Other credits include: One woman show, Lashings of Whipped Cream with 20% Theater Co. TC at Bryant Lake
Bowl (Feb 07). Set designing for 20%’s After
Ashley at Bedlam Theater in Feb 08. Grl Mainer-Puppeteer! and sidekick in Nina Rolle’s Zen Cabaret,
Boulder Colorado (04-06). Performance internship with the Bread and Puppet Theatre Company, Glover, VT (1999). Shannon was a featured emerging artist for Colorado’s Boulder Museum of
Contemporary Art (BMoCA) 2003 performance season, directing Venus by Suzan Lori Parks. She is
co-creator of Dreamland Fire Waltz, original puppet opera collaboration
with Brooklyn artist Jesse Jarnow (BMoCA September
2002, July 2003). A proud graduate of Oberlin College (Ohio), she practices Bikram Yoga and lives with her partner and two dogs in zip
code 55407.
Laura Purcell Gates (Dunyasha) has studied clown with Lecoq descendants Giovanni Fusetti, Philippe Gaulier and
Jon Ferguson. Since discovering the form, she has transitioned from her
classical theatre training, enamoured with the play
that lies at the heart of physical theatre. Previous incarnations included
training and performing with the London Academy of Music and Dramatic Art,
Shakespeare and Company, and Los Angeles Women’s Shakespeare Company. She has
also recently discovered puppetry and accordion, which make her very happy.
Christopher Lutter-Gardella (Uncle Sergei) has been making masks,
puppets, costumes, sets, floats and various theatrical accoutrements out of
waste materials for over ten years. He has taught the process of transforming
trash into imaginative art to communities throughout the upper midwest and beyond. He has worked
extensively in schools, libraries, community centers and other civic
organizations as an artist-in-residence. He has presented training sessions and
demonstrations at conferences and fairs and the like. He has guided communities
in the development of art-making workshops and parades and theater productions.
He has extensive experience in facilitating broad and diverse groups of people
in the process of collaborative art-making, from conceptualization through to
final presentation. He has also produced commission work for theaters,
townships, institutions and television production companies. He was recently a
recipient of the 2006 (Archibald) Bush Foundation (3M) Fellowship Grant, which
provides artists with significant support to continue their work in their
communities. He has traveled as far as Ajo, Arizona
and New York City to spread the love and practice of imaginative
trash-transformation. He has served on the staff of the Heart of the Beast's
"May Day Festival" in Minneapolis Minnesota and serves as artistic
director of Puppet Farm Arts, a small non-profit arts education and resource
organization. Chris recently participated in a 3-week intensive Red Nose
workshop led by European clown master Giovanni Fusetti at Bedlam Theatre.
Charles Lupia's plays have been featured at SABEL, Theatre Three, Armory Square Playhouse, NY Artists Unlimited and The Barnstormers. His radio plays have received broadcasts through KUSF-San Francisco and WRVO-Oswego. A graduate of Syracuse University, Lupia is currently at work on a book of short stories.
A Boring Story
Written by Anton Chekhov
Adapted for the Stage by Eric Hockett
This is the first adaptation of "A Boring Story," one of Chekhov's first serious and lengthy pieces, marking his move from short comical sketches to the more mature themes in his later work. The story recounts the observations and reminiscences of a dying medical professor which touch upon a variety of subjects, including science, the theater, personal relationships, the meaning of everything, and the "boring" last act of life taking place before the darkness of the grave.
Bruce Hyde
Bruce Hyde's recent
roles include Serge in Art, Juror 8
in Twelve Angry Men and Henry
Drummond in Inherit the Wind (Fifty
Foot Penguin Theater, Minneapolis, and Pioneer Place, St. Cloud), Willie Loman in Death of a
Salesman (Starting Gate, St. Paul), Elwood Dowd in Harvey (Paul Bunyan Playhouse), and H.C. in The Rainmaker (Actors' Theater of Minnesota). At Theatre L'Homme Dieu in Alexandria, where
he served as Artistic Director for four years, he has appeared in You Can't Take It With You (Grandpa), The Diary of Anne Frank (Otto Frank), Hello Dolly (Horace), and Of Mice and Men (Candy). In an earlier
life he appeared on Broadway, and played Lt. Kevin Riley during the first
season of Star Trek. Bruce is a
Professor of Communication Studies at St. Cloud State University, and directs
and teaches acting for the Department of Theatre, Film Studies and Dance.
Maggie Chestovich
Maggie Chestovich was last seen at The Guthrie in The Home Place. Other recent credits
include Two for the Seesaw at The
Jungle, Blood Wedding, Ten Thousand
Things Theater, and The Miser and Tartuffe with Theatre de la Jeune Lune. She has also performed with The Children's
Theatre Company, Frank Theatre, Illusion Theater, the sorely missed Eye of the Storm Theatre, Pillsbury House Theatre's Chicago
Avenue Project, the Minnesota Fringe Festival, The Playwrights' Center, and
Thirst Theater.
Chris Carlson
Chris Carlson was last
seen at The Guthrie in The Pillowman. He has also appeared on several local area
stages including the Jungle Theatre, the Brave New Workshop and Shakespeare in
the Park. His film credits include Drop
Dead Gorgeous, Here on Earth, and
the recently completed local independent film Justice. He is one of the founding members of Thirst Theater and is
also an attorney and adjunct professor.
Zach Curtis
Zach Curtis is the
Artistic Director of the Paul Bunyon Playhouse. He
has directed, produced, designed and/or acted in over 120 theatrical
productions in the Twin Cities over the past 15 years, much of it as the
Artistic Director of the critically acclaimed Fifty Foot Penguin Theater. Most
recently he could be seen at Park Square Theatre in Of Mice and Men and in Torch Theater's A Thousand Clowns.
Eric Hockett
Eric Hockett is a playwright from Minneapolis. He is the author
of the two act drama Blood and Thunder.
Bruce, Maggie, Chris and Zach are all members of the Actors' Equity Association, the labor union representing American actors and stage managers in the theatre.
